Šejla Kamerić belongs to the generation of Sarajevo artists who grew up in the war under three-and-a-half years of siege and shelling of the city. The latter is also reflected in her artistic work: On one hand her Personal
viewpoints based on common experience about the outside world: hot issues
of the local society related (or in opposition) to the actual worldwide moral, socio-political subjects. On the other hand self-reflections based on personal experience about the existential values: by surviving the siege and shelling of her city she learned the fine line between life and death. For one of her axiomatic works, Bosnian Girl, she says that it is directly connected to the Srebrenica tragedy, but that it deals with prejudice as well, not only by others towards us, but also by us towards others. That statement speaks very clearly about how “two-way” and how legible her messages are.
ŠEJLA KAMERIĆ
* 1976 Sarajevo, Bosnia and Herzegovina
Lives and works in Sarajevo
Exhibitions (selection)
2005 Another Expo - Beyond the Nation-States, Gallery SOAP, Kitakyushu, J, Gallery White Box, New York, USA
2005 Untitled, Gandy Gallery, Prague, CZ
2005 Closed, National Gallery of Bosnia and Herzegovina, Sarajevo, BH.
2005 Sweet Taboos / (Episode 5), 3. Tirana Biennale, Tirana, AL
2005 Guardami – Percezioni del video, Palazzo delle Papesse, Sienna I
2005 Andre/Others, Sørlandet Art Museum, Kristiansand, N
2005 The Giving Person, Palazzo Roccella, Napoli, I
2004 Others and Dreams, Portikus Frankfurt am Main, D
2003 Bosnian Girl, public project (posters, postcards, billboards, advertisements in magazines and newspapers)
selected bibliography:
ŠEJLA KAMERIĆ – BRATISLAVA, Catalogue; text by Michal Kolecek, (engl.); Gandy Gallery – Bratislava; 2005
OTHERS AND DREAMS, Artist's book; (engl.); Portikus Frankfurt am Main; 2004
Spike, 03-2005; “Šejla Kamerić Sarajevo. Mon amur” by Anselm Wagner
The Financial Times Magazine, special issue (March 27 2004, issue NO. 48)The New York Times, 27 July 2000; “A Roving Show Fixates on Europe’s Border Obsession” by Josephine Schmidh.