News

  • Probe 1 – The Story of Slovak (Post)Conceptual art
    12 Dec 2018 − 24 March 2019

    Prague City Gallery / Stone Bell House Curated by: Vlado Beskid and Jakub Král Loans by Kontakt: Ján Mančuška, Julius Koller, Stano Filko, Roman Ondak The exhibition will introduce Czech public into one of the crucial tendencies found in modern and contemporary Slovak art. It will focus on the origination and development of Conceptual and post-Conceptual Art within the horizon of the past fifty years in Slovakia, i.e. from the alternative, unofficial scene of the 1960s to the post-1989 legal artistic platform. The oeuvres of two generations of artists, such as Viktor Frešo, Jozef Jankovič, Anetta Mona Chisa & Lucia Tkáčová, Martin Kochan, Július Koller, Marek Kvetan, Ján Mančuška, Roman Ondák, Boris Ondreička, Monogramista T.D, Rudolf Sikora, Pavla Sceranková, Peter Rónai and Jaro Varga, will serve to present particular forms of Conceptual artistic morphology, as it was shaped by the new aesthetic criteria with their codes, in the context of time. The exhibition, held as a specific contribution to the celebrations of the 100th anniversary of the existence of Czechoslovakia, will go hand in hand with interventions by several Czech artists (Jan Brož, Alice Nikitinová, Vít Soukup, Pavel Sterec, Antonín Střížek, Michaela Thelenová) who will loosely contextualize selected historical, social, economic and world-view facets of our history. Their main subject of interest is the transformations of the internal social paradigm, presented the loss of the utopian outreach of our thinking in connection with the declining big ideologies. http://en.ghmp.cz/exhibitions/probe-1-the-story-of-slovak-post-conceptual-art/

back to Search

Artist

VALIE EXPORT's debut film, shot with a camera given to her as a gift by her sister, was made in Switzerland, inspired by her intense study of Heidegger during this period. The N8mm film demonstrates EXPORT's interest in questions of representation and semiotic systems, in the relationship between dead matter and the body, and between art history and the present. In a beam of light the head of a statue can be seen, along with a likeness of EXPORT, wearing the wig she later donned in 1968 in "Touch Cinema," as a living, contemporary, female counterpart to the traditional bust."

Jo.S.
  • Artist: VALIE EXPORT
  • Original Title: Selbstportrait mit Kopf
  • English Title: Self-Portrait with Head
  • Year: 1966/1967
  • Material: N8mm film, video, b&w, no sound
  • Dimensions: Duration: 4min, 8sec
  • Inventory no.: K471
  • Category: video
Parts of Work
Works
Browse All