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  • Poetry & Performance / The Eastern European Perspective
    22 December 2017 − 10 March 2018

    Nová synagóga, Žilina, Slovakia Poetry & Performance / The Eastern European Perspective 22/12/17 –  10/03/18 Loans by Kontakt: Vlado Martek: Ciklus Soneti / Sonnet Cycle, 1978-79 Raša Todosijević: Znak / Sign, 1971; Skulptura / Sculpture, 1971; Was ist Kunst, Patricia Hennings? / What is Art, Patricia Hennings?, 1976; Was ist Kunst, Marinela Koželj? / What is Art, Marinela Koželj?, 1978 Tamás St. Auby: Kentaur / Centaur, 1973-1975/ 2009 Curators: Sabine Hänsgen, Tomáš Glanc, Daniel Grúň Nová synagóga in Žilina presents the exhibition Poetry & Performance. The Eastern European Perspective curated by Tomáš Glanc, Daniel Grúň and Sabine Hänsgen. The exhibition brings together more than forty artists, poets and creative groups from the countries of the former Eastern Europe as well as contemporary artistic positions. The exhibition will be opened on December 22nd from 6 p.m. to 8 p.m. by a series of several performances and will run until March 10th 2018. In the second half of the twentieth century, poets and artists in particular took up the challenge of reflecting on and investigating the instrumentalization of language for communicative and political-ideological purposes. They did so by drawing attention to the “made-ness” of language, its material and medial dimension, and by creating performative situations for themselves and their audiences within which possibilities of verbal expression could be tested and acted out. In Eastern Europe, poetry and performance played a significant role in the unofficial or partially tolerated cultural scene. The writing practice of samizdat and its relation to the devices of concrete and visual poetry have been treated and presented in a number of previous projects. Until now however, less consideration has been given to the circumstances of performance. In addition to the typescript literature of samizdat, subcultural milieus attached particular importance to the oral recitation of poems, exhibitions, and poetry actions. The interrelation between text and situation in poetic acts functioned as a trigger for performances and happenings. The exhibition presents authors from subcultures in socialist states along with contemporary positions that continue the legacy of combining poetry and performance. It shows the efforts of poets and artists to break free from controlled language and normative communicative now and then. Poetry & Performance. The Eastern European Perspective thus confronts the current social challenges in the post-socialist countries through the prism of language and ideology and looks back at their points of departure. Artists: Milan Adamčiak, Pavel Arsenev, Babi Badalov, Bosch+Bosch (Attila Csernik, Slavko Matković, László Szalma), Collective Actions Group, Ľubomír Ďurček, Else Gabriel / Via Lewandowsky, Rimma Gerlovina, Tomislav Gotovac, Group of Six Artists, Bohumila Grögerová / Josef Hiršal, Gino Hahnemann, Václav Havel, Jörg Herold, Semyon Khanin (Orbita), Kinship Moho (Zuzana Jasenková, Kristína Országhová, Magdaléna Scheryová), Dávid Koronczi, Katalin Ladik, Yuri Leiderman / Andrey Silvestrov, Vlado Martek, Andrei Monastyrski, Monogramista T.D, Ladislav Novák, Pavel Novotný, NSRD (Hardijs Lediņš, Juris Boiko, Imants Žodžiks), OHO Group (Nuša & Srečo Dragan, Naško Križnar), Boris Ondreička, Orange Alternative, Roman Osminkin, Ewa Partum, Bogdanka Poznanović, Dmitri Prigov, Lev Rubinstein, Nóra Ružičková / Marianna Mlynárčiková, Mladen Stilinović, Gabriele Stötzer, Tamás Szentjóby, Bálint Szombathy, Raša Todosijević, Jaromír Typlt, Jiří Valoch. Nová synagóga, Žilina, Slovakia J. M. Hurbana 220/11, 010 01 Wednesday — Sunday, 1 p.m. — 7 p.m. free entry (voluntary) http://www.novasynagoga.sk/poetry-performance/

Artists

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VALIE EXPORT

VALIE EXPORT is one of the most important pioneers on conceptual media art, performance and film. Her artistic work comprises video environments, digital photography, installation, body performances, feature films, experimental films, documentaries, Expanded Cinema, conceptual photography, body-material interactions, Persona Performances, laser installations, objects, sculptures, texts on contemporary art history and feminism. In the focus of EXPORT’s work who conceptually chose her pseudonym (to be written in capital letters) in 1967 and has since her early beginnings programmatically understood herself as a media artist has been the human body that she declared as the material for her taboo breaking, gender critical approach towards sexual politics and its inherent social and cultural  taboos. EXPORT includes technology, specifically technological media in order to analyze its ways of functioning and its various modes and effects of exerting power. Methodologically she practices an experimental "short circuit“ between technical media and the body-as-medium. With various inventive tactics, among them the early Expanded Cinema works, she goes in search of the ways in which media uphold the powerful structural connection between technology, ideology, and the practice of everyday life. In her transgressions of the borders between different media and materials, between forms of expression, the crucial point is always the body, mostly her own body, presented by the artist as a functional part of the “apparatus”, as manipulable material. In this subversive media scenario, the body / the artist is both an active figure and a passive surface for projections, a processed carrier of symbols and information. In the direct “short circuiting” with the media apparatus, the body is revealed as what she refers to as the “locus of civilizing”: “The female body is the site where ‘culture’ erects a blockade against the woman.”

 

S.E.

 

1940, Linz / AT

After studying at the Arts and Crafts College in Linz from 1956 to 1959, the artist continued her education at the Design Department of the Higher Federal Teaching and Research Institute of the Textile Industry in Vienna (Austria) from 1960 to 1964. In 1967, she changed her at that time official name Waltraud Höllinger into the pseudonym VALIE EXPORT. In 1967 she co-founded the Austrian Filmmakers’ Cooperative in Vienna. EXPORT taught at numerous international institutions, including the University of Wisconsin in Milwaukee (USA) and the University of the Arts in Berlin (Germany). Since 1995 she has been teaching as professor at the Media Art Academy in Cologne (Germany). In 1995 EXPORT was awarded the “Generali Foundation’s Prize for sculptural works” and in 2000 she was the recipient of the “Oskar Kokoschka Prize”.

Lives and works in Vienna, Austria.


Solo Exhibitions (selected):

2017 "VALIE EXPORT: Archive", Lentos Kunstmuseum, Linz, Austria

2015 "VALIE EXPORT: METANOIA", Tanja Grunert Gallery, New York, USA

2014 Charim Events, Vienna, Austria

2011 “VALIE EXPORT“, Kunsthaus Bregenz, Bregenz, Austria

2010 “VALIE EXPORT. Time and Countertime“, Lentos Kunstmuseum, Linz, Austria

2009 “VALIE EXPORT: Jerusalem Premiere“, Ticho House - The Israel Museum, Jerusalem, Israel

2008 “VALIE EXPORT“, Athens School of Fine Arts, Athens, Greece

2007 “VALIE EXPORT“, 2nd Moscow Biennale of Contemporary Arts, National Centre for Contemporary Art, Ekaterina Cultural Foundation, Moscow, Russia

2005 “working_world.net – Living and working in the midst of Globalization“, Museum Working World, Steyr, Austria

2004 “VALIE EXPORT. Workshow“, Essl Museum, Klosterneuburg, Austria

2003 “VALIE EXPORT“, Centre National de la Photographie, Paris, France

2002 “Pol`yp*to”ton“, Charim Gallery, Vienna, Austria


Group Exhibitions (selected):

2017 "WOMAN. Feminist Avant-Garde of the 1970s. Works from the Verbund Collection", mumok, Museum moderner Kunst Stiftung Ludwig, Vienna, Austria

 

2016 "this is a political (painting)", Kunsthall Trondheim, Trondheim, Norway  

 

2015 "Transmissions: Art in Eastern Europe and Latin America, 1960–1980", MoMA, The Museum Of Modern Art, New York, USA

 

2014 "Proudly Presenting: Sammlung Generali Foundation", Museum der Moderne, Salzburg, Austria

 

2013 "Formas biográficas. Construcción y mitologí / Biographical forms. Construction and individual mythology", Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain  

 

2012 "A Bigger Splash. Painting after Performance Art", Tate Modern, London, UK

2011 “re.act.feminism # 2 – a performing archive“, Instytut Sztuki Wyspa, Gdansk, Poland

2010 “Direct Art. Viennese Actionism in an International Context“, MUMOK Museum moderner Kunst Stiftung Ludwig, Vienna, Austria

2009 “We Interrupt this Program: Print Ads and TV Spots by Artists“, Mercer Union, Toronto, Canada

2008 “System Human. Works from the Collection“, Museum der Moderne, Salzburg, Austria

2007 “Performance on Demand“, EFA Gallery, New York City, USA

2006 “Sigmund Freud in Artworks“, Belvedere, Vienna, Austria

2005 “Means Without End “, Guild & Greyshkul Gallery, New York City, USA

2004 “Seven Women – Seven Sins“, Galerie im Taxispalais, Innsbruck, Austria

2003 “X-Screen“, MUMOK Museum moderner Kunst Stiftung Ludwig, Vienna, Austria

2002 “Gloria: Another Look at Feminist of the 1970s“, White Colums, New York City, USA

This bibliography provides a list of books available in the
ERSTE Foundation Library

Books/Exhibition Catalogues

 

Dziewior, Yilmaz, ed. 2012. VALIE EXPORT: Archiv. Bregenz: Kunsthaus Bregenz [Exhibit. Cat., Oct. 29, 2011-Jan. 22, 2012]

 

Hilmes, Carola, Lamb-Faffelberger, Margarete, eds. 2010. Staging Export: Valie zu Ehren. New York: P. Lang.

 

Eiblmayr, Silvia, EXPORT, VALIE, eds. 2009. Elke Krystufek, Dorit Margreiter, Franziska & Lois Weinberger. Cologne: Walther König [Exhib. Cat., Austrian Pavillon 2009, 53rd International Art Exhibition La Biennale di Venezia (Jun. 6-Nov. 22, 2009)]

 

Pahlén, Karolina, ed. 2009. Between the Images: imaginable experiences for future memories. Stockholm: Xposeptember.

 

Saxenhuber, Hedwig, ed. 2007. Valie Export. Vienna; Bozen: Folio.

 

Szely, Sylvia, ed. 2007. Export Lexikon: Chronologie der bewegten Bilder bei Valie Export. Vienna: Sonderzahl.

 

Trummer, Thomas, ed. 2007. Voice & Void. Ridgefield, Connecticut: Aldrich Contemporary Art Museum [Exhib. Cat., Aldrich Contemporary Art Museum (Sep. 16, 2007-Feb. 24, 2008)]

 

Valie Export: eine Werkschau. 2005. Klosterneuburg: Sammlung Essl [Exhib. Cat., Sammlung Essl (Feb. 11-Apr.10, 2005)]

 

Trummer, Thomas, ed. 2004. Serien. Vienna: Atelier Augarten [Exhib. Cat., Österreichische Galerie Belvedere (Oct. 6, 2004-Feb. 20, 2005)]

 

Valie Export. 2003. Engl./French. Montreuil: Editions de l'oeil [Exhib. Cat., Centre national de la photographie Paris (Sep.-Dec., 2003)]

 

Mediale Anagramme. 2003. Berlin: Neue Gesellschaft für Bildende Kunst [Exhib. Cat., NGBK in cooperation with Akademie der Künste (Jan. 18-Mar. 9, 2003)]

 

EXPORT, VALIE. 2002. Valie Export: Bild-Risse. Roswitha Mueller. Translated by Reinhilde Wiegmann. Vienna: Passagen.

 

EXPORT, VALIE. 2000. Valie Export: Inszenierung von Schmerz: Selbstverletzung in den frühen Aktionen. Andrea Zell. Berlin: Reimer.

 

EXPORT, VALIE, artist. 1997. Split, Reality. Engl./Germ. Vienna; New York: Springer.

 

Eiblmayr, Silvia, EXPORT, VALIE, Prischl-Maier, Monika, eds. 1985. Kunst mit Eigen-Sinn: aktuelle Kunst von Frauen: Texte und Dokumentation. Vienna: Löcker [Exhib. Cat., Museum Moderner Kunst/Museum des 20. Jahrhunderts Wien (Mar. 29-May 12, 1985)]

 

 

Other Media

 

Saemann, Andrea, Grögel, Katrin, eds. 2007. Performance Saga: Interview 02: Valie Export. Zürich: edition fink. 1 DVD.

 

EXPORT, VALIE, Weibel, Peter. 2006. Invisible adversaries (1976). Vienna: Arge index (Index DVD Edition; 021), 1 DVD (104 min.)

 

Robakowski, Józef. 2006. The energy manifesto. Vienna: Arge index (Index DVD Edition; 022), 1 DVD (63 min.)

 

Burger-Utzer, Brigitta, ed. Valie Export: 3 Experimental Short Films (1970-1973; 1973; 1984). Vienna: Arge index (Index DVD Edition; 004), 1 DVD (36 min.)

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