News

  • WHO WAS 1968?
    28 Sept 2018 − 13 Jan 2019

    LENTOS Kunstmuseum WHO WAS 1968? Art, Architecture, Society Curated by: Hedwig Saxenhuber, Georg Schöllhammer Loans by Kontakt from: Heimrad Bäcker, Stanisław Dróżdż, VALIE EXPORT, Stano Filko, Běla Kolářová, Július Koller, Natalia LL, Karel Miler, Petr Štembera, Raša Todosijević and Goran Trbuljak A decade of eruptions, departures and redefinitions in the steel city Linz. The year I968 marks a turning point that ushered in a new era. Across Western Europe and in the United States Student protests and workers’ revolts called into question the post-war power structure itself, while Soviet tanks bulldozed the Prague Spring into the ground and signalled the end of the hope that the Eastern Bloc would open up to the West. This exhibition harks back to the echoes of I968 in Linz and Upper Austria. Embracing the arts, architecture, music, film and literature, it unfolds for the first time a synoptic map on which key figures and moments of local history – some largely unknown to this day – are accorded a place. It enables visitors to embark on exploratory trips and to survey the rich fabric of relationships and linkages that includes points of contact with international scenarios and trends. Experiments in the aesthetic field were begun with a view to escaping from the cultural stuffiness of the first two post-war decades. The participating artists include: Claudia von Alemann, Ant Farm, Heimrad Bäcker, Josef Bauer, Bill Bollinger, Dietmar Brehm, Gerd Conradt, Waltraut Cooper, Stanisław Dróżdż, Erró, VALIE EXPORT, Harun Farocki, Hans-Peter Feldmann, Stano Filko, Helmuth Gsöllpointner, Timo Huber, Johann Jascha, Martha Jungwirth, Gülsün Karamustafa, Gerhard Knogler, Běla Kolářová, Juliús Koller, Peter Kubelka, Zofia Kulik, KwieKulik, Maria Lassnig, Fritz Lichtenauer, Natalia LL, Karel Miler, Josef Nöbauer, OHO, Yoko Ono, Gina Pane, Friederike Pezold, Cora Pongracz, Chris Reinecke, Martha Rosler, Dieter Roth, Zorka Sàglovà, Dominik Steiger, Petr Štembera, Raša Todosijević, Goran Trbuljak, Tucumàn Arde, Jiřì Valoch, Agnés Varda, Peter Weibel, Hannah Wilke, Jana Želibská, Želimir Žilnik, Zünd-Up http://lentos.at/html/en/4747.aspx

Artists

back
Mladen Stilinović

The artistic practice of Mladen Stilinović, one of the founders and the liveliest protagonists of conceptual art in Croatia and the region, may be presented by using the key words, i.e. words that introduce the core problem and the procedures that the artist used: language, ideology, manipulation, appropriation, correction, irony, installation, decontextualisation, exploitation, repetition, tautology...

Whereas all the existing words in Stilinović's well-known “Dictionary – Pain“ (2000-2003) have been crossed out white and changed into one and the same word of unique meaning – pain – in a potential “imperatival dictionary” some words could easily change places and the structure without the change of meaning.

The open structure and the apparent incompleteness have been constants of the artist’s work since the very beginning. In the late 1960s, Stilinović appeared in the medium of experimental film, and in the early 1970s he stabilized in the area of visual arts. He experimented with two ideologies and aesthetics, the West and the East, Marcel Duchamp and Kazimir Malevich, as their characteristic poles, his opus balancing between deadly seriousness and ironic ridicule, conscious mystification and ruthless exploitation of dead aesthetics and ideologies.

Even when completed cycles are concerned, such as the commonly quoted cycle “Exploitation of the Dead” (1984-1989), there always seems to remain the sense of immediacy, temporality, the possibility of rearranging and upgrading.

Fragmentation, crushedness, fragmented visions are among the basic features of Stilinović’s work that perfectly represent his installation rooms, such as "Red-pink."

N.B.

1947, Beograd / RS, at that time Jugoslavija – 2016, Pula / HR

Stilinović was, together with his brother Sven Stilinović, Fedor Vučemilović, Boris Demur, Vlado Martek, and Željko Jerman, a member of the “Group of Six Authors” in Zagreb (Croatia) from 1975 to 1979. His works include collages, photographs, artist's books, paintings, installations, actions, films and video.


 

Please follow this link for a selected bibliography available at the ERSTE Foundation Library
Media File
Works
Browse All
  • Media File
  • Photo: Adam Savoky
  • Photo: Adam Savoky
  • Photo: Adam Savoky
  • Photo: Adam Savoky
  • Photo: Adam Savoky

  • Photo: Adam Savoky

  • Photo: Adam Savoky