News

  • Probe 1 – The Story of Slovak (Post)Conceptual art
    12 Dec 2018 − 24 March 2019

    Prague City Gallery / Stone Bell House Curated by: Vlado Beskid and Jakub Král Loans by Kontakt: Ján Mančuška, Julius Koller, Stano Filko, Roman Ondak The exhibition will introduce Czech public into one of the crucial tendencies found in modern and contemporary Slovak art. It will focus on the origination and development of Conceptual and post-Conceptual Art within the horizon of the past fifty years in Slovakia, i.e. from the alternative, unofficial scene of the 1960s to the post-1989 legal artistic platform. The oeuvres of two generations of artists, such as Viktor Frešo, Jozef Jankovič, Anetta Mona Chisa & Lucia Tkáčová, Martin Kochan, Július Koller, Marek Kvetan, Ján Mančuška, Roman Ondák, Boris Ondreička, Monogramista T.D, Rudolf Sikora, Pavla Sceranková, Peter Rónai and Jaro Varga, will serve to present particular forms of Conceptual artistic morphology, as it was shaped by the new aesthetic criteria with their codes, in the context of time. The exhibition, held as a specific contribution to the celebrations of the 100th anniversary of the existence of Czechoslovakia, will go hand in hand with interventions by several Czech artists (Jan Brož, Alice Nikitinová, Vít Soukup, Pavel Sterec, Antonín Střížek, Michaela Thelenová) who will loosely contextualize selected historical, social, economic and world-view facets of our history. Their main subject of interest is the transformations of the internal social paradigm, presented the loss of the utopian outreach of our thinking in connection with the declining big ideologies. http://en.ghmp.cz/exhibitions/probe-1-the-story-of-slovak-post-conceptual-art/

Artists

back
Stano Filko

Stano Filko’s works constitute an open invitation to travel through time. The unity and simultaneous diversity of his oeuvre stem from the following modes of constant change: relocation, rewriting, and rearranging. In the early 1970s, Filko released a detailed work list in a self-published “chronology of creation” [1]—a model that he transformed, modified, and subsequently negated. In his work, he fuses divergent impulses into a self-centered system of “personal ontology.” This system has evolved into two parallel lines that are in conflict with each other and thus give rise to a productive field of tensions. The diachronic line of his work charts the realm of identity arranged into the following time-sequential mutations of his name: Filko (1937–1977), Fylko (1978–1987) = 1st Clone; Phylko (1988–1997) = 2nd Clone; Phys (1997–2019) = 3rd Clone. It reflects the turning points in the artist’s style and thematic orientation. Together with Alex Mlynárčik, Filko was a pioneer of the sociological happening (HAPPSOC I–IV, 1965–1968). The modes of expression to be seen in his work appeared to expand by leaps and bounds during the 1960s—running from assemblage to environment, and from graphic works printed on maps to multiplied objects, sound works, project works and text works.

Along the synchronic line of his personal ontology, Filko has clustered the dimensions of space and time into a system of chakras and their five-color spectrum. As he worked on rebuilding his studio in the 1990s, he divided the architectural space into five elemental sections, thematically distinguished by the colors of the chakras.[2] He has defined this system, synchronic in essence and thus achronological, as a strategy of self-historicization. It embodies the chakra symbolism in these sections: red/pink represents the sphere of biology, erotica, and empiricism; green links HAPPSOC to Filko’s work on geopolitical maps; white stands for ontology and denotes the stages of the 1970s project entitled A White Space in a White Space. And blue encompasses the works of the graphic cycle Associations, his environments, and his artworks that explore cosmic themes.

 
D.G.


[1] Stano FILKO II. 1965/69 TVORBA / WORKS – CREATION / WERK – SCHAFFUNG / OUVRAGES (Bratislava: A-PRESS, 1970).

[2] Patricia GRZONKA, Stano Filko, in: BROZMAN, Dušan (ed.): Stano Filko (Praha: Arbor Vitae, 2005).

1937, Velká Hradná / SK, at that time ČSSR – 2015, Bratislava / SK

 

Please follow this link for a selected bibliography available at the ERSTE Foundation Library
Courtesy Slovak National Gallery. Juraj Bartoš, Stano Filko, New York 1984
Works
Browse All


  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • © National Gallery of Kosovo, Photo: Enver Bylykbashi
  • Courtesy Galerie Emanuel Layr
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy
  • Photo: Adam Sakovy

  • Photo: Adam Sakovy
  • Photo: Adam Sakovy