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  • WHO WAS 1968?
    28 Sept 2018 − 13 Jan 2019

    LENTOS Kunstmuseum WHO WAS 1968? Art, Architecture, Society Curated by: Hedwig Saxenhuber, Georg Schöllhammer Loans by Kontakt from: Heimrad Bäcker, Stanisław Dróżdż, VALIE EXPORT, Stano Filko, Běla Kolářová, Július Koller, Natalia LL, Karel Miler, Petr Štembera, Raša Todosijević and Goran Trbuljak A decade of eruptions, departures and redefinitions in the steel city Linz. The year I968 marks a turning point that ushered in a new era. Across Western Europe and in the United States Student protests and workers’ revolts called into question the post-war power structure itself, while Soviet tanks bulldozed the Prague Spring into the ground and signalled the end of the hope that the Eastern Bloc would open up to the West. This exhibition harks back to the echoes of I968 in Linz and Upper Austria. Embracing the arts, architecture, music, film and literature, it unfolds for the first time a synoptic map on which key figures and moments of local history – some largely unknown to this day – are accorded a place. It enables visitors to embark on exploratory trips and to survey the rich fabric of relationships and linkages that includes points of contact with international scenarios and trends. Experiments in the aesthetic field were begun with a view to escaping from the cultural stuffiness of the first two post-war decades. The participating artists include: Claudia von Alemann, Ant Farm, Heimrad Bäcker, Josef Bauer, Bill Bollinger, Dietmar Brehm, Gerd Conradt, Waltraut Cooper, Stanisław Dróżdż, Erró, VALIE EXPORT, Harun Farocki, Hans-Peter Feldmann, Stano Filko, Helmuth Gsöllpointner, Timo Huber, Johann Jascha, Martha Jungwirth, Gülsün Karamustafa, Gerhard Knogler, Běla Kolářová, Juliús Koller, Peter Kubelka, Zofia Kulik, KwieKulik, Maria Lassnig, Fritz Lichtenauer, Natalia LL, Karel Miler, Josef Nöbauer, OHO, Yoko Ono, Gina Pane, Friederike Pezold, Cora Pongracz, Chris Reinecke, Martha Rosler, Dieter Roth, Zorka Sàglovà, Dominik Steiger, Petr Štembera, Raša Todosijević, Goran Trbuljak, Tucumàn Arde, Jiřì Valoch, Agnés Varda, Peter Weibel, Hannah Wilke, Jana Želibská, Želimir Žilnik, Zünd-Up http://lentos.at/html/en/4747.aspx

Artists

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Slaven Tolj

The Croatian artist Slaven Tolj rose to international acclaim with his installations, body-art and performances, all of which mirror a distinctive political and sociocultural criticism. His initial steps as an artist were directly shaped by his experiences during the Yugoslav war, the collapse of the state and, in particular, the conquest of Dubrovnik by the Yugoslav army in 1991-92. In the late 1990s, Tolj gradually expanded his field of work by incorporating new motifs such as political change, multicultural existence and globalization. He is also active as curator and in various art organizations. He was, for instance, one of the founders of the Art Workshop Lazareti in Dubrovnik, which is now setting the tone in the contemporary art scene of Dubrovnik and Croatia.

In his works, Tolj primarily concentrates on the torn structure of Dubrovnik's society, his native town, where he lives and works. He calmly examines the relationships and remains of the war from his personal and reserved angle. Instead of producing documentary work and activism, Tolj considers it more appropriate to act indirectly; criticizing from the inside, in a way that the effect of said criticism on reality can only be difficultly assessed, even though the value of his oeuvre for the symbolic part of art is not questioned. The central motif of his work is avoiding direct language and images; he works by deliberately leaving aside and omitting things. Tolj places his work within the narrow borderline between the visible and invisible – by either choosing photography, installation, performance or the concrete as his media. The barely perceptible crack contained in his work adds energy to it, which – regardless of how personal it may seem – critically examines the political aspect of art or the concept of art for a broader audience.

 

M.S.

 

1964, Dubrovnik / HR, at that time Jugoslavija

Slaven Tolj graduated from the Academy of Fine Arts in Sarajevo in 1987. After his return to Dubrovnik in 1988, he has been active on
multiple functions: as an artist, curator, founder and head of Art Workshop Lazareti (ARL).

 

 

Please follow this link for a selected bibliography available at the ERSTE Foundation Library
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